Panasonic Lumix GH7 Body Only - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
Panasonic Lumix GH7 - Plaza Cameras
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Panasonic Lumix GH7 Body Only

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  • 25.2 MP BSI CMOS Sensor
  • Phase Hybrid AF
  • ProRes RAW HQ Internal Recording
  • 32-bit Float Recording (optional DMW-XLR2 is required)
  • ARRI LogC3 via SFU3 Software Upgrade Key
  • Unlimited 4:2:2 10-bit C4K/4K 60p/50pVideo Recording Time
  • Oversampled Full Width 4K120P

$3,669.00

Available on back-order

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Panasonic Lumix GH7 Camera

Experience unparalleled video performance and exceptional portability with the Panasonic Lumix GH7 Camera. This flagship hybrid camera from Lumix is designed to help content creators produce high-quality, efficient content with minimal setup. Whether you’re a professional videographer or a passionate photographer, the Lumix GH7 is equipped with advanced features to elevate your creative workflow.

Unparalleled Image Quality

The Lumix GH7 incorporates a new 25.2 MP BSI CMOS sensor that offers high-speed readout, exceptional dynamic range, and improved noise performance. This advanced sensor also features on-sensor Phase Detection AF, allowing you to capture stunning content with precision and clarity.

ProRes RAW HQ Internal Recording

The GH7 sets a new benchmark in recording quality by being the first mirrorless camera to record internal ProRes RAW at 5.7K 25/30p. Both ProRes RAW and ProRes RAW HQ compression options are available, offering flexibility for white balance and gain adjustment in post-production. This feature ensures you achieve the highest quality video recordings directly from the camera.

32-bit Float Recording (optional DMW-XLR2 required)

When combined with the optional DMW-XLR2 (sold separately), the Lumix GH7 enables the world’s first 32-bit float recording for an interchangeable lens digital camera. This feature captures a wider dynamic range and eliminates the need for tedious sound level adjustments during audio recording, providing superior audio quality.

Seamless Integration with ARRI Cinema Cameras

Capture true cinematic colour with the optional ARRI LogC3 (requires purchase of SFU3 software upgrade key). This feature provides access to ARRI cinema looks, a streamlined workflow, and the ability to use the Lumix GH7 alongside ARRI digital cinema cameras in high-end productions.

Unlimited 4:2:2 10-bit C4K/4K 60p/50p Video Recording Time

Designed for video professionals, the GH7 supports continuous recording in any environment. It offers truly unlimited 4K 50/60p recording up to 40 degrees Celsius, setting the industry benchmark for thermal reliability in hybrid cameras.

Native Camera to Cloud Integration with Adobe’s Frame.io

With Frame.io Camera to Cloud, you can upload proxies to your editor while still capturing footage. Frame.io C2C is available in-camera and can transfer proxy video files, and RAW or JPEG over WiFi or LAN directly to the cloud.

Versatile Live Streaming Option

The GH7 is perfect for live streaming without the hassle. Its inbuilt streaming encoder outputs RTMP/RTMPS with simple setup via LUMIX sync. For indoor use, wired live streaming is possible via RTP/RTSP with a LAN adaptor.

REAL TIME LUT

Simplify the editing process with LUTs applied in-camera for quick turnarounds. Record LUTs to proxy files while maintaining the full flexibility of the LOG master file. The LUMIX Lab app makes it easy to transfer and share LUTs to the camera, simplifying the upload process.

Conclusion

The Panasonic Lumix GH7 Camera. This is a powerhouse for content creators, offering unmatched image quality, advanced recording capabilities, and seamless integration with professional workflows. Its robust features, including ProRes RAW recording, 32-bit float audio, and unlimited 4K recording, make it an essential tool for videographers and photographers alike. Whether you’re capturing cinematic footage or live streaming, the Lumix GH7 delivers exceptional performance and reliability.

Description:

Panasonic Lumix GH7 Camera. 25.2MP BSI CMOS sensor, ProRes RAW HQ recording, unlimited 4K video, 32-bit float audio, seamless ARRI integration.

More Panasonic Lumix Here

Panasonic Press Release here

 

SKU: DC-GH7m Categories: , , Tags: , , ,

  • Type

    • Digital Single Lens Mirrorless camera

  • Lens mount

    • Micro Four Thirds mount

IMAGE SENSOR

  • Type

    • BSI CMOS sensor (17.3 x 13.0 mm)

  • Camera effective pixels / Total pixels

    • Approx. 25.2 megapixels / Approx. 26.5 megapixels

  • AR (Anti Reflection) coating

    • Yes

  • Aspect ratio / Colour filter

    • 4:3 / Primary colour filter

  • Dust reduction system

    • Image sensor shift type

LATITUDE

  • 13+ stops (V-Log) (Sensor output is 60fps or less)
    12+ stops (V-Log) (Sensor output is 61fps or higher)

STILL IMAGE

  • Recording file format

    • JPEG (DCF, Exif 3.0), RAW

  • Aspect ratio

    • 4:3 / 3:2 / 16:9 / 1:1

  • File size (Pixels)

    • 4:3
      • 5776×4336(L) / 4096×3072(M) / 2944×2208(S) / 1920 x 1440(XS) / 11552×8672(XL)* / 8192×6144(LL)* *High Resolution Mode.
    • 3:2
      • 5776×3848(L) / 4096×2728(M) / 2944×1960(S) / 1920×1280(XS) / 11552×7696(XL)* / 8192×5464(LL)* *High Resolution Mode.
    • 16:9
      • 5776×3248(L) / 4096×2304(M) / 2944×1656(S) / 1920×1080(XS) / 11552×6496(XL)* / 8192×4608(LL)* *High Resolution Mode.
    • 1:1
      • 4336×4336(L) / 3072×3072(M) / 2208×2208(S) / 1440×1440(XS) / 8672×8672(XL)* / 6144×6144(LL)* *High Resolution Mode.

  • Image quality

    • RAW / RAW+Fine / RAW+Standard / Fine / Standard (High Resolution mode: Combined / RAW / RAW+Fine / Fine)

  • Colour space

    • sRGB, AdobeRGB

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC, Apple ProRes, Apple ProRes RAW
      MP4: H.264/MPEG-4 AVC, H.265/HEVC

  • Audio format

    • 4ch Audio Recording: OFF
      • MOV
        Linear format: LPCM (2ch stereo 48kHz/24-bit, 96kHz/24-bit*)
        Float format**: LPCM (2ch stereo 48kHz/32-bit, 96kHz/32-bit)
        *When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately). **When attaching DMW-XLR2 (sold separately).
        MP4
        Linear format: AAC (2ch stereo 48kHz/16-bit)
    • 4ch Audio Recording: XLR*
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit)
        Float format: LPCM (4ch monaural 48kHz/32-bit)
        *When attaching DMW-XLR2 (sold separately).
    • 4ch Audio Recording: XLR*+Camera
      • MOV
        Linear format: LPCM (4ch monaural 48kHz/24-bit, 96kHz/24-bit**)
        *When attaching DMW-XLR2 (sold separately). **When attaching Φ3.5mm microphone or DMW-XLR2 (sold separately).

  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz

  • Image area of video

    • FULL / PIXEL/PIXEL

  • Log recording

    • V-Log

  • Proxy

    • ON / OFF
      Proxy Rec Quality: H / M / L
      Real Time LUT (Proxy): ON / OFF
      *When the following functions are being used, proxy recording is not available: [MP4], [Rec Quality] exceeding a resolution of C4K, [Rec Quality] with [4:3] or [3:2] aspect ratio, [Rec Quality] with a high frame rate video, [HDMI RAW Data Output], and [Streaming].

  • MOV (*¹) (*²) (*³) / 59.94Hz

    • [5.8K] 5760×4320 (4:3)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728×3024 (17:9)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352×3264 (4:3)
      • 59.94p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        47.95p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096×2160 / [4K] 3840×2160
      • 119.88p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920×1080
      • 239.76p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        239.76p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        119.88p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        119.88p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        59.94p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        59.94p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        59.94i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        59.94i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        47.95p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        29.97p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        23.98p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 50.00Hz

    • [5.8K] 5760×4320 (4:3)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728×3024 (17:9)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352×3264 (4:3)
      • 50.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096×2160 / [4K] 3840×2160
      • 100.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        50.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 600Mbps (4:2:2 10-bit ALL-Intra (L)) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920×1080
      • 200.00p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**/***
        200.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**/***
        100.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)***
        100.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)***
        50.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        50.00p, 50Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        50.00i, 100Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)
        50.00i, 50Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        25.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        25.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to FULL during this recording mode.
        ***An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MOV (*¹) (*²) (*³) / 24.00Hz

    • [5.8K] 5760×4320 (4:3)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [5.7K] 5728×3024 (17:9)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
    • [4.4K] 4352×3264 (4:3)
      • 48.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        *Image Area of Video is set to PIXEL/PIXEL during this recording mode.
    • [C4K] 4096×2160 / [4K] 3840×2160
      • 120.00p, 300Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.
    • [FHD] 1920×1080
      • 120.00p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)**
        120.00p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)**
        24.00p, 200Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        24.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM)*
        24.00p, 25Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **An AC Adaptor DMW-AC11 (optional) and DC Coupler DMW-DCC18 (optional) are required to record video on a USB-SSD.

  • MP4 (*¹) (*²) / 59.94Hz

    • [4K] 3840×2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 50.00Hz

    • [4K] 3840×2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • [FHD] 1920×1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)

  • MP4 (*¹) (*²) / 24.00Hz

    • –

  • ProRes (*¹) (*³) / 59.94Hz

    • [5.7K] 5728×3024 (17:9)
      • 29.97p, 4.2Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 2.8Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        29.97p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 3.3Gps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 2.2Gps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**
        23.98p, 1.5Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.0Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Image Area of Video is set to FULL during this recording mode.
        **Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        **A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/
    • [C4K] 4096×2160
      • 59.94p, 4.2Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 2.8Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        59.94p, 1.9Gbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        59.94p, 1.3Gbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 2.1Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 1.4Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        29.97p, 972Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        29.97p, 648Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 1.7Gbps (ProRes RAW HQ) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 1.1Gbps (ProRes RAW) (H.264/MPEG-4 AVC, LPCM)*/**/***
        23.98p, 778Mbps (ProRes 422 HQ) (H.264/MPEG-4 AVC, LPCM)*
        23.98p, 519Mbps (ProRes 422) (H.264/MPEG-4 AVC, LPCM)*
        *Proxy video recording is available.
        **Image Area of Video is set to PIXEL/PIXEL during this recording mode.
        ***Software that supports Apple ProRes RAW is required to edit RAW video recorded.
        ***A LUT (Lookup table) exclusively designed for RAW video is available on the following customer support website to make the same colour grading as V-Log/V-Gamut.
        https://panasonic.jp/support/global/cs/dsc/download/lut/s1h_raw_lut/

      • <li class="spec

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